The French luxury house is off on a fresh start with Matthieu Blazy.

As Paris Fashion Week wrapped, Chanel ended the season with a sense of anticipation that felt rare. Matthieu Blazy&rsquo;s debut at the Grand Palais wasn&rsquo;t&nbsp;just another milestone but also&nbsp;a clear sign that change had arrived. Under a sky of suspended planets, he unveiled a collection that looked ahead while conveying effectively the identity of the French Maison.
&nbsp;
In three chapters, Un Paradoxe, Le Jour, and L&rsquo;Universel, he went over the codes again with a neat harmony between accuracy and comfort. Boy Capel&rsquo;s closet and the early days of the brand&rsquo;s modernism were evoked by the opening ensemble, a dapper men&rsquo;s shirt paired with pants and weighted with a chain. This established a collection that revolved around contrasts: masculine and feminine, structured and fluid, familiar and unexpected.
&nbsp;
The creative director&rsquo;s attention to texture provided dimension to the clothes. Tweeds were frayed or pressed smooth, with some edges left raw. The 2.55 bag appeared crushed, with its lining exposed like a relic of recollection. Silk knits hung smoothly over the body, while painted florals and feather trims provided movement without fuss. The colour was used sparingly but strongly, with flashes of red, mint, and gold breaking through the traditional black and white.
&nbsp;
The show itself had a lightness that complemented the outfits. It was set to &rsquo;90s songs like Rhythm Is a Dancer, which conveyed a sense of tranquillity. When Awar Odhiang strolled in a skirt of fluttering feathers, smiling as she went, it felt genuine rather than staged.
&nbsp;
What made Blazy&rsquo;s first Chanel collection so effective was its clarity. He did not strive to shock or rewrite history. Instead, he probed what makes the brand enduring and found new ways to make it feel alive.&nbsp;There was discipline but also comfort. The end effect was attractive without stiffness, clothing made to be worn rather than displayed.
&nbsp;
After a period of refinement, this felt like the beginning of something more curious&nbsp;and expressive. Blazy&rsquo;s Chanel isn&rsquo;t about reinvention for its own sake but rediscovering freedom &ndash; the kind Gabrielle Chanel built her name on.

Swipe the gallery to see all the looks:

Chanel Spring/Summer 2026 show reveals a new era

Tags

Related Articles

Fashion

All the famous faces at Chanel’s Spring/Summer 2026 show

Fashion

Balmain Spring/Summer 2026 collection is enriched with intimacy and a lighter touch

Fashion

Lacoste Spring/Summer 2025 collection explores the beauty of ease

Recommended posts for you

Beauty

Highlights from the Dior Addict Sweet Shop opening event in Tokyo

Watches & Jewellery

OMEGA Seamaster Diver 300M Milano Cortina 2026 celebrates the Olympics

Digital Cover

Digital Cover: Amelia Henderson & Meerqeen take on the streets of KL in UNIQLO Jeans

Fashion

Coach steps forward with with a fashion collection for The Sims™ 4

Arts, Culture & Lifestyle

BTS returns to Kuala Lumpur after 11 Years, marking a long-awaited homecoming

Watches & Jewellery

OMEGA reworks the Speedmaster Moonwatch with a black and white dial

Arts, Culture & Lifestyle

Work, Elevated: The ASUS ExpertBook PM3 brings AI into everyday life

Beauty

I tried the new Dyson Airwrap Co-anda 2x—is it worth the upgrade?